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Dick Monfort Sell The Team T Shirt

Boy oh boy do we have a lot to discuss, and I cannot wait to get started. The Dick Monfort Sell The Team T Shirt begins with the Guardians of the Galaxy; Star-Lord, Gamora, Drax the Destroyer, Rocket (Raccoon) and Baby Groot, who have been hired to take out a giant octopus looking alien. They argue, they bicker, they feel like a fresh team- and yes, this film picks up a mere 6-months following the first film, so the Guardians would still be getting used to each other. But- man, all the dynamics were off. Rather than the fun, witty banter we had in the first film, we now get a Rocket and a Star-Lord who actually genuinly don’t like each other. It is no longer fun banter, but serious, depressing banter. Star-Lord almost seemed like he had had enough with Rocket and wanted him out of the group. Meanwhile Groot just seemed so useless and more of a liability than an actual team member- why didn’t they leave him on the ship? Drax and Gamora were the only ones who were somewhat similiar to how they were in the original film. In this film three, four really, new individuals join the Guardians team; Yondu Udonta, Nebula, Kraglin new character Mantis. These newcomers are welcome additions to the Guardians crew, especially with their respective relationships with Peter Quill, Gamora and Drax as we came to uncover. But the dynamics between the core five are off somewhat. I am also under the impression that this film should have had Star-Lord and Gamora dating at the beginning- this film implies that although the team has been together six months, these two adults can’t ask each other out? They should have been a couple going into the film.

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In my mind, it is complete, and is one of the Landon Matney Nashville Predators Pride shirt poems. Every reviewer, save one, thinks it has no meaning whatsoever. Quoting from the best analysis of this poem from the late John Spencer Hill, “The first and, for over a hundred years, almost the only reader to insist on the intelligibility and coherence of Kubla Khan was Shelley’s novel-writing friend, Thomas Love Peacock: “there are”, he declared in 1818, “very few specimens of lyrical poetry so plain, so consistent, so completely simplex et unum from first to last”. Perhaps wisely, Peacock concluded his fragmentary essay with these words, thereby sparing himself the onerous task of explaining the consistency and meaning of so plain a poem as Kubla Khan.” (John Spencer Hill, A Coleridge Companion).

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